Even the No no joe san diego joe homegrown baseball shirt so you should to go to store and get this works of Bey’s trained deliberately on the past feel inextricably linked to contemporary life. The series Night Coming Tenderly, Black (2017)—which takes its title from the Langston Hughes poem “Dream Variations”—depicts purported stops along the Underground Railroad in big, dusky prints. “Atmospheric and haunting, these newer works were shot during the day but printed to look as though they were captured at night,” Lauretta Charlton observed in T Magazine in October. “They’re strangely unknowable scenes, rendered in stark black and white.” Bey draws a direct line between the treatment of Black people then, in the 19 century, and now. “Night Coming Tenderly, Black is about the landscape of Black fugitivity at a moment when the abuse of Black bodies was condoned by law,” he says, “even as today there is very little if any penalty exacted for the murder of Black people for simply being Black in a public space. The routine abuse and disregard for Black lives have its roots in the institution of slavery.” Indeed, Bey had been at work on another series—The Birmingham Project (2012), commemorating the 1963 bombing of the 16th Street Baptist Church in Birmingham, Alabama—when Trayvon Martin was fatally shot in Florida. “That Trayvon Martin, a young Black boy, could be killed for no reason while walking home suggests that the past doesn’t stay in the past,” Bey says.
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